Researchers develop a system where they can jump into people's minds. But when people involved bring their personal problems into the equation, it becomes dangerous - perhaps deadly.Researchers develop a system where they can jump into people's minds. But when people involved bring their personal problems into the equation, it becomes dangerous - perhaps deadly.Researchers develop a system where they can jump into people's minds. But when people involved bring their personal problems into the equation, it becomes dangerous - perhaps deadly.
- Awards
- 2 wins & 6 nominations
Ira David Wood III
- Barry
- (as David Wood)
Mary Fran Lyman
- Realtor
- (as Mary-Fran Lyman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBecause of the immensely troubled production and disagreements with MGM, Douglas Trumbull opted never to direct a Hollywood film again. In 1983 he stated, "I have no interest . . . in doing another Hollywood feature film . . . Absolutely none. The movie business is so totally screwed-up that I just don't have the energy to invest three or four years in a feature film. Moviemaking is like waging war. It destroys your personal life, too. The people who can survive the process of making films have largely given up their personal lives in order to do that, just because it's such a battle to make a movie. And in doing that, they've isolated themselves from the very audience that they're trying to reach."
- GoofsSeveral of the tapes play back from a third-person perspective, which would be impossible if the tapes were actually a person's recorded memory.
- Quotes
Dr. Michael Anthony Brace: [whispers to statue] That's the girl I'm gonna marry.
- Crazy creditsAfter the final credit has rolled, 'TO NATALIE' appears for a couple seconds
- Alternate versionsIn the psychotic episode sequence when Michael's (Christopher Walken) son Chris (Jason Lively) wears the headset, there's a slight difference between the 70mm version and 35mm version. In the 70mm version of Chris's hallucination when Michael flips a lever presumably sending an electrical current to Chris's head, the camera cuts to and remains on a shot of a circular device with electricity running through it, as Michael is heard to say, 'Now you're gonna find out it's mine!' In the 35mm version, the shot arrangement is the same except that it cuts back to a closeup of Michael saying the line 'Now you're gonna find out it's mine!'
- ConnectionsEdited into Trumbull Land (2018)
Featured review
Trumbull's visionary look at early VR with a fine Fletcher perfomance
Douglas Trumbull's early attempt at depicting Virtual Reality in a film is a mixed affair, but remains fascinating. Its solid cast and good production values are somewhat let down by the muddled script and inexperienced direction (this was to be Trumbull's second - and final, Directing gig).
The film is caught in odd Catch 22 - much of its technology has been both long since been surpassed (the Mylar tape & laser show!), and, in other areas, not reached yet - true emotions and sensations transmitted via VR. As expected from Trumbull, the special effects are solid if not as spectacular as his work on 2001, BLADE RUNNER and CLOSE ENCOUNTERS. Originally conceived as a feature film test for his high frame rate Showscan process, Trumbull had to settle for 70mm and a wider aspect ratio for it's VR scenes. There is no question that true Showscan would have made for a more impressive visual experience, even if only in limited locations.
Douglas Trumbull is one of cinema's true visionaries, but a smooth accomplished Director he wasn't. As in SILENT RUNNING, the ideas and visuals outstrip his ability to do them full justice. Still, BRAINSTORM has more solid ideas than 99% of SF films even attempt. The film's love for Science, from the gadgets to the photos of Einstein, to the self-sacrifice of the wonderful Louise Fletcher, this is a movie that celebrates the world of knowledge. And, damn, Christopher Walken that off-the-wall even then!!?? Sadly, poor Natalie Wood looked very tired (her death during filming cast a pall over its release). Cliff Robertson is decent as the head of the experimental lab. Still, it is Fletcher who becomes the heart and literal soul of the production. Her Lillian Reynolds is an exceptional depiction of the dedicated scientist who lets no obstacle get in the way of her pursuits. It is because of Fletcher and the film's concepts that makes the film endure, whatever its flaws.
The film is caught in odd Catch 22 - much of its technology has been both long since been surpassed (the Mylar tape & laser show!), and, in other areas, not reached yet - true emotions and sensations transmitted via VR. As expected from Trumbull, the special effects are solid if not as spectacular as his work on 2001, BLADE RUNNER and CLOSE ENCOUNTERS. Originally conceived as a feature film test for his high frame rate Showscan process, Trumbull had to settle for 70mm and a wider aspect ratio for it's VR scenes. There is no question that true Showscan would have made for a more impressive visual experience, even if only in limited locations.
Douglas Trumbull is one of cinema's true visionaries, but a smooth accomplished Director he wasn't. As in SILENT RUNNING, the ideas and visuals outstrip his ability to do them full justice. Still, BRAINSTORM has more solid ideas than 99% of SF films even attempt. The film's love for Science, from the gadgets to the photos of Einstein, to the self-sacrifice of the wonderful Louise Fletcher, this is a movie that celebrates the world of knowledge. And, damn, Christopher Walken that off-the-wall even then!!?? Sadly, poor Natalie Wood looked very tired (her death during filming cast a pall over its release). Cliff Robertson is decent as the head of the experimental lab. Still, it is Fletcher who becomes the heart and literal soul of the production. Her Lillian Reynolds is an exceptional depiction of the dedicated scientist who lets no obstacle get in the way of her pursuits. It is because of Fletcher and the film's concepts that makes the film endure, whatever its flaws.
helpful•30
- gortx
- Sep 23, 2022
Details
- Release date
- Country of origin
- Language
- Also known as
- The Gordon Forbes Tapes
- Filming locations
- Research Triangle Park, North Carolina, USA(Burroughs Wellcome Pharmaceutical Corporation HQ)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $10,219,460
- Opening weekend US & Canada
- $1,196,965
- Oct 2, 1983
- Gross worldwide
- $10,219,460
- Runtime1 hour 46 minutes
- Color
Contribute to this page
Suggest an edit or add missing content